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But the design language quickly expands into alignment studies, edges that want to meet, planes that want to police a room, hardware that reads like infrastructure. The blue becomes a discipline: a consistent chromatic decision that makes proportion, junction, and silhouette do the expressive work.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The pieces flirt with superfurniture, the moment when furniture stops being subordinate and starts behaving like architecture. Each object proposes a small urbanism: circulation paths for hands, storage as zoning, alignment as law. 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It does not attempt to “represent Facebook” or “depict trolls.” Instead, it builds a spatial metaphor for how influence work accumulates: clustered, recursive, hard to exit once entered. The viewer is placed in a position of navigation rather than consumption, forced to interpret scale, distance, and density as meaning. 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Rather than presenting disinformation as content, the work treats it as a constructed environment: a system of spatial pressures, behavioral cues, and engineered attention.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The sculpture manipulates digital-spatial elements to mimic the disorientation of coordinated operations: reach without accountability, amplification without intimacy, circulation without trust. 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A nozzle clog produces a machinic asteroid; instead of troubleshooting away the failure, the object is allowed to persist, scanned, compressed, and reinterpreted across platforms. 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The print becomes both document and monument, marking the moment where troubleshooting was replaced by worlding.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"ec203ab2-24ab-4511-8126-65f968690cae","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"be9ef6ec-c19f-4496-a156-9b9ea7341472","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Residual Objects treats the clog as a design collaborator. The work refuses the idea that production should always be corrected back into smoothness. Instead, it treats the error as a rare event, a moment where the machine’s hidden conditions become visible: temperature, friction, timing, fatigue. By scanning and recomposing the residue, the project extends the failure’s lifespan and turns it into a portable artifact. The print reads like a fossil of a workflow, suggesting that the future archive of digital making will be filled not only with successes, but with the shapes that accidents insisted on producing.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"ec203ab2-24ab-4511-8126-65f968690cae","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"ecce0591-c2a3-4333-9b83-0a73338dc2cf","value":"{\"image\":\"866acdee323b6aa5ed7c0f47a424fdbc197f19da\",\"imageThumbnail\":\"a8664e7732600ed8fc778795111545bfba94335b\",\"originalImageHeight\":2001,\"originalImageWidth\":3240,\"altText\":\"\",\"fileName\":\"27 - Residual Objects A.png\"}","itemId":"ec203ab2-24ab-4511-8126-65f968690cae","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"67f35c7e-9c1a-458b-8284-b477f12ba059","value":"{\"image\":\"8b6ee8bb12e73911d270184aa54bbcdac67b232b\",\"imageThumbnail\":\"296654ffe45fafe5173b9735164c9d5c901fff3e\",\"originalImageHeight\":2700,\"originalImageWidth\":4320,\"altText\":\"\",\"fileName\":\"27 - Residual Objects B.png\"}","itemId":"ec203ab2-24ab-4511-8126-65f968690cae","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"fed798f5-11b7-4b13-b519-83e731f3082d","value":"{\"image\":\"ea341efbd4a7e306d634d07be4f17b364255642c\",\"imageThumbnail\":\"662964336556b0e4ede6a3632111b36568959c3d\",\"originalImageHeight\":2700,\"originalImageWidth\":4320,\"altText\":\"\",\"fileName\":\"27 - Residual Objects C.png\"}","itemId":"ec203ab2-24ab-4511-8126-65f968690cae","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"1edd0dd5-9832-413a-a58d-640152dee166","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Failure that refuses to disappear\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"ec203ab2-24ab-4511-8126-65f968690cae","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"ae2ea0e1-80f1-4e29-9829-f5466f7e024d","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A monument to the glitch\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"ec203ab2-24ab-4511-8126-65f968690cae","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"}]},"191b7298-f4aa-4ef4-a174-e4f0c4d847c8":{"id":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","index":"8OOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"e8031673-4ef5-4e8f-b8ec-48f739330b95","value":"2022-12-01","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"29357fba-2e60-498b-9d30-8119513797f7","value":"Hybrid","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"f2723bad-67c4-419d-97ea-9af69c4e38d2","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"In this studio, weird was not an aesthetic garnish. It was a diagnostic. When objects became too strange, students could no longer rely on inherited notions of function, taste, or “good design.” They had to rebuild a logic from scratch: what counts as posture, what counts as program, what counts as interface. The work suggests that posthuman literacy begins in the everyday, by relearning how objects already shape behavior and how digital habits already rewrite space. The outputs operate like prototypes for a future where the room is never purely physical again.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"1422dadd-4007-4ebe-b6d5-2d3c543f7f4f","value":"if-its-not-too-weird-enough","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"eba04376-3f51-4f9a-9e26-ddd3e6ec494e","value":"If it's not too weird enough","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"b74c874f-a47a-4b11-9bde-3860557abe43","value":"teaching","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"d4179669-2fa1-46cc-899c-22e5a0748ca0","value":"[Teaching - CSB Design Studio] - A studio about private objects becoming public interfaces. Students taught their domestic objects to behave as if sentient, translating posture, program, affordance, and scale into uncanny artifacts. The studio treated weirdness as method: a way to build posthuman architectural literacy without leaning on emerging-tech hype as a shortcut.","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"a77a9eab-e306-436c-a7f4-966af1d3f7d2","value":"{\"image\":\"0d38a8b54db22afb1c5550d74a53f416662ef97a\",\"imageThumbnail\":\"c9e9d4e0558d09a77093e4626474c6cb395ddef2\",\"originalImageHeight\":6846,\"originalImageWidth\":10584,\"altText\":\"\",\"fileName\":\"11 - Too Weird Enough C.png\"}","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"b46f9473-a6bd-4493-ad30-57bc2515c6c2","value":"{\"image\":\"df1950d51579125cbe7ea1313d40a1ec25e1641f\",\"imageThumbnail\":\"ce98b73c084e7cc200678991ba2ce3c6a8a86d3a\",\"originalImageHeight\":3423,\"originalImageWidth\":2419,\"altText\":\"\",\"fileName\":\"11 - Too Weird Enough A.png\"}","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"4f0e031c-cd49-4ead-b5eb-21d0c568799a","value":"{\"image\":\"0677dea4837c34e255945d38a6287b0f21eb5653\",\"imageThumbnail\":\"04bca66d5b44acea9151d44bd3b5070c47ef5e79\",\"originalImageHeight\":6770,\"originalImageWidth\":9809,\"altText\":\"\",\"fileName\":\"11 - Too Weird Enough B.png\"}","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"4f76d3bf-fcc0-4169-93aa-cc2ffc3dd921","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Design studio (object studies, abstraction workflows, proto-speculative artifacts)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": De La Salle-College of Saint Benilde (Studio)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Works by my students:\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" Neli Millo and Mark Proceso; Shane Colorado, Trizia Purisima and Kat Villaroman; Raine Calomarde and Isis Cunanan; Shane Co, Marcene Carreon and Alaiza Suyama\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The studio unpacked domestic objects as architectural agents. Students began by studying artifacts from their personal spaces, then abstracting them through architectural gestures, program, posture, affordance, until the object behaved like an interface for the public domain. References ranged from Hejdukian physicality to iheartblob digital languages, insisting that contemporary work must metabolize both historical and current precedents.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Rather than forcing XR or AI or GAN hype into human-centric narratives, the studio tried to locate architectural value in digital affordances like glitching and spectrality, then translate those into tangible outcomes. The provocation remained deliberately absurd: if cellphones, aliens, dogs, unicorns, plants, titans, or gundams perceived architecture, what would it look like?\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"d73f2ba1-2b92-4296-8f36-bb2e53c7832d","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Pedagogy for the post-post-post digital\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"741c707c-810d-408c-950a-be9cc02cc16d","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Weirdness as a design instrument\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"191b7298-f4aa-4ef4-a174-e4f0c4d847c8","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"}]},"b0fa532d-c2c1-4250-aa9e-abe478298923":{"id":"b0fa532d-c2c1-4250-aa9e-abe478298923","index":"8OOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"d47e571f-7b9c-4461-be63-7eb23432d0d9","value":"Hejdukian Digital","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"b72c8978-0c44-44fe-9823-54267b1f0f8e","value":"drawing","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"b3e08b51-9952-4c48-80c1-1538bd9e28bf","value":"hejdukian-digital","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"22f08110-cf3e-4888-8745-a7a2e13ee25e","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"These plates treat “digital” not as style, but as responsibility. When projection becomes a chain of operations, decisions move upstream: file setup, geometry discipline, translation artifacts, print fidelity. The drawing becomes less an expressive hand and more a controlled protocol. That control is not neutral. It changes what can be imagined and what becomes easy to repeat. Hejdukian Digital reads the protocol itself as content, proposing that contemporary axonometry is no longer only a viewpoint, it is a workflow made visible.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"6c0cef12-12ef-4a4b-88f7-8b92521d2234","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 3D printed PLA + mixed media on sintra board\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Art in the Park 2024\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Hejduk's drawings function as conceptual machines: they do not merely depict architecture, they construct thought. By recoding orthographic projection through digital methods, this project pressures a familiar discipline question, whether drawing today remains speculative, or becomes just another output format.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Digital execution brings precision and repeatability, but it also shifts authorship from gesture to system. The work leans into that shift without celebrating it as efficiency. Instead, it uses workflow as an aesthetic and conceptual condition: projection as a procedure, axonometry as a contemporary artifact, and drawing as a site where architecture negotiates its relationship with computation.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"9a53fe1b-8596-4b46-a149-3a34829a3ef6","value":"2024-02-01","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"8c766989-50b3-42df-aa3c-6c80481bbfcf","value":"Tangible","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"5d91763a-77b9-4d2b-8931-dfe06cf8f2ed","value":"An attempt to recode John Hejduk's orthographic logic through digital execution. These works use contemporary tools to perform traditionally manual projections, questioning what architectural drawing becomes when projection is no longer bound to the hand but to workflow.","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"916e2cba-822a-4351-a5f1-7a9977e3e736","value":"{\"image\":\"2c439cd8e18f7c7d951dd6192dece2e3b0a02b0f\",\"imageThumbnail\":\"d09e5349c8a07687780fc80c6a213b8696a712df\",\"originalImageHeight\":1689,\"originalImageWidth\":2160,\"altText\":\"\",\"fileName\":\"16 - Hejdukian Digital C.png\"}","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"355eeba0-9c41-41b7-9360-fb6b648c673b","value":"{\"image\":\"8fcd59909c0f2686c720e103b1e4deba138ffa13\",\"imageThumbnail\":\"92891faa4a4dd156bd877551955e2c37835a1b66\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"16 - Hejdukian Digital A.png\"}","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"8f73db61-f644-4f2e-9628-748ea08e09e0","value":"{\"image\":\"9a6e0a4cdc2470e56154e3b085f4bf47d9509bd3\",\"imageThumbnail\":\"6644ce4498848b03baa3ecd8052195d66cff20ee\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"16 - Hejdukian Digital B.png\"}","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"7b77a7bf-dae9-4572-b0ed-e6cad1185809","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Projection after the hand\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"03da101a-ac71-4cd9-ae3b-bdc8b45626c9","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Workflow as a new kind of lineweight\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"b0fa532d-c2c1-4250-aa9e-abe478298923","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"}]},"22b6f9d3-0f78-46b4-b424-4007dbbe378c":{"id":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","index":"8OOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"b9dff217-4b0e-471a-a5d9-f74f53b715ba","value":"voxels-of-influence","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"f71ca87b-e5f4-4a83-8f9c-f6da5d93a5b8","value":"Voxels of Influence","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"3313f18a-e9b2-4986-993e-861707b0208f","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Giclee print on sintra board + AR objects (Edition 1/1)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 594 x 841 mm\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": SFAD Graduate Exhibition 2023 (Philippine Women's University)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Voxels of Influence treats disinformation as built environment, not metaphorically, but operationally. The city exists between troll labor (servers, scripts, coordination), influencer channels (engagement pipelines), and organic clusters (groups, pages, comment fields). Its ground, its voxels, expands through fractal behavior, echoing the way disinformation scales by repetition and amplification.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Landmarks operate like programmatic diagrams: the Politician's Tower as funding source; Troll Hub as content weaponization; Influencer Bridge as production highway; Screen Monuments as dissemination terminals; Architects Tower as strategy think tank; Grassroots Stalactites as broadcast-and-listen apparatus. The work asks viewers to read the feed as urbanism, and to recognize that influence has architecture.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"af36202a-da53-48be-b10e-41d8b8a1c65a","value":"2023-07-01","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"65119c4e-afaa-4812-8b89-c0c77fe3b53d","value":"space","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"635f1e03-4470-4513-ba5c-e86ee1b72127","value":"Hybrid","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"f61eef5f-c1be-4927-b378-fc7467e7b5e6","value":"A speculative city built from influence operations. Troll Hubs, Influencer Bridges, Screen Monuments, Architect Towers, and Grassroots Stalactites map an ecosystem where belief is manufactured through labor, strategy, and platform behavior. The city grows fractally: an urbanism of distribution.","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"e998e9f9-afe0-48a6-82e6-bbcffd73709f","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The city is not dystopian decoration. It is a method for naming roles that platforms keep vague. By giving influence operations a skyline, the project makes infrastructure visible: who funds, who produces, who distributes, who measures response. The fractal growth of the voxel ground echoes how campaigns scale through repetition, not innovation. The piece suggests that disinformation is less a lie and more a logistics system, a spatial machine for moving affect. In that sense, the most important architectural question becomes: what are the programs we keep pretending do not exist?\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"9822c748-836b-479c-ab61-9ac35398c42d","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Urbanism for a system that manufactures belief\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"30748433-6fdd-4969-ad57-37ac4aa8579b","value":"{\"image\":\"a4e940ede7d098533a73921ce7b3535803ea83c5\",\"imageThumbnail\":\"a4e940ede7d098533a73921ce7b3535803ea83c5\",\"originalImageHeight\":664,\"originalImageWidth\":390,\"altText\":\"\",\"fileName\":\"14 - Voxels of Influence A.gif\"}","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"04222979-510e-4a11-b277-1e29dc2fbb2a","value":"{\"image\":\"efd7c852c7b2e93cf44790c85e47cfa54fb5f600\",\"imageThumbnail\":\"28e9ef57a2f281801e5d39b37d0e0786b5338022\",\"originalImageHeight\":1887,\"originalImageWidth\":2876,\"altText\":\"\",\"fileName\":\"14 - Voxels of Influence C.png\"}","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"6ad6540f-7d0b-412a-aa47-0aecb87b09fc","value":"{\"image\":\"209883c01a1527acb157b9207220b02bac85d305\",\"imageThumbnail\":\"069fea4bcca9ab80251b2e577d2753540ff62450\",\"originalImageHeight\":1887,\"originalImageWidth\":2876,\"altText\":\"\",\"fileName\":\"14 - Voxels of Influence B.png\"}","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"5829b468-9690-4114-b4e8-8d4eb961d737","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"City as diagram of labor\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"22b6f9d3-0f78-46b4-b424-4007dbbe378c","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"}]},"5be49071-442e-4f67-a3c2-d62fe9e62dad":{"id":"5be49071-442e-4f67-a3c2-d62fe9e62dad","index":"8OOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"bc3d72d8-065f-4b52-ad1c-9f9a2e33ab5d","value":"A digital triptych of interactive murals on disinformation. The work breaks apart the screen and the interface, mapping disinformation's internal properties and its public effects. It calls for hyperfocus in a time of hyperobjects, events and systems so vast they evade explanation and become easier to ignore.","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"424b5048-0a57-4c3a-9ee3-e8f764c49eec","value":"fragments-of-a-private-vacuum","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"06c87b8d-3197-43d9-92bf-89fe85290af3","value":"2025-02-02","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"9156ab52-0b50-4391-b12b-169e2345c587","value":"experience","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"95b6f905-0558-4f3d-943b-fbb7387578b2","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Hyperfocus as interface design\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"6120aa78-badc-459d-8fa1-3b8f9692016a","value":"Fragments of a Private Vacuum","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"3cd7c01d-db00-4176-a1ec-f239782f4cf0","value":"Digital","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"25da8448-80b3-4ca3-9854-bc520ccbe970","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The work refuses the single-scroll experience. Instead, it builds friction, pauses, and edges, forcing the viewer to navigate rather than skim. In this sense, interaction becomes a political choice: a counter-choreography against platform habits. The murals operate like rooms with different acoustics, each one shaping how content is read and felt. The project argues that disinformation is not only a problem of facts, but a problem of attention architecture. To respond, we need interfaces that can hold complexity without dissolving it into noise.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"518e1ffb-cc7d-452c-8b4a-094c8cff0750","value":"{\"image\":\"8de361c20130951f7e1f83ce0012c39a0e367e9a\",\"imageThumbnail\":\"6e26b8ed5f9f757d4dbdb43c5b90391d409b8df3\",\"originalImageHeight\":962,\"originalImageWidth\":2370,\"altText\":\"\",\"fileName\":\"22 - Fragments A.png\"}","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"7eda43f2-1cf3-48fe-bf4f-6fb700ac2ca5","value":"{\"image\":\"af7d591ec2104e43b53c514e8365fd7b44a06287\",\"imageThumbnail\":\"cf41e6a8a556b0b17c6a89d0efeb8b8656685fc2\",\"originalImageHeight\":1000,\"originalImageWidth\":2438,\"altText\":\"\",\"fileName\":\"22 - Fragments B.png\"}","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"5b43bc3e-aadc-40aa-bbf8-b5defd1b2295","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Website (interactive triptych)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Not applicable\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited in DEMO 2024 and Art Fair 2025 via Kakakompyuter Mo Yan\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Collaborators\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Chia Amisola (Programming and Curation)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"🔗 \",\"type\":\"text\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"LINK TO PROJECT\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"link\",\"version\":1,\"rel\":\"noreferrer\",\"target\":null,\"title\":null,\"url\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The project is structured as three interactive murals, each one a different mode of reading disinformation. Rather than treating the interface as neutral window, the work treats it as a contested surface: something that can be broken, stretched, and reassembled to reveal hidden logics.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"By fragmenting the screen, the work challenges the speed and passivity that disinformation thrives on. It maps the phenomenon from inside (its compositional and behavioral properties) and outside (its effects across the public sphere). The triptych format insists on plurality: disinformation is not one thing, but a shifting field, hyperobject-scale, whose enormity makes it feel abstract. The work responds by forcing attention into pieces you can actually hold.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"e5e3e274-2344-40cd-9f5f-235acbebf7a6","value":"{\"image\":\"54ece5d959955d067d7f916abeb7aff5e500e6ac\",\"imageThumbnail\":\"54ece5d959955d067d7f916abeb7aff5e500e6ac\",\"originalImageHeight\":644,\"originalImageWidth\":1280,\"altText\":\"\",\"fileName\":\"22 - Fragments C.gif\"}","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"f157aa00-a71f-44df-a42f-526962cabf5f","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Disinformation, unfolded into three rooms\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"5be49071-442e-4f67-a3c2-d62fe9e62dad","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"}]},"84991840-8f80-4083-88a2-9674b3b8030f":{"id":"84991840-8f80-4083-88a2-9674b3b8030f","index":"8OO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"a6f1ff6c-a8f0-4999-a7a2-7044f47de8cd","value":"Hybrid","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"4bd8074a-a067-4c39-8090-784bb75134fd","value":"An exhibition proposing that future environments will not only be constructed, they will be worlded. Across installations, speculative structures, and digital interventions, the work positions architecture as synthesis: space shaped by material, perception, interaction, and code, assembled into a total-ecology condition.","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"ebf9fa05-0518-4212-9416-d822aa747824","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Architecture expanded into a total artwork\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"4f60dd4a-6930-4695-9ccc-f800f1ccb7b0","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"To world is to design continuity. Not a single object, but a field of relations that makes the viewer move differently, feel differently, linger differently. The show treats the gallery like an atmosphere generator: prints as color weather, reliefs as compressed topologies, gaps as intentional voids. Worlding argues that architecture today is not limited to buildings. It is a choreography of perception across physical and digital layers, an expanded practice that must account for how reality is increasingly constructed through interfaces, images, and behavioral loops.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"2d684cda-d7b8-42c3-920c-d6b85fa221d7","value":"Worlding Architecture","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"43f19fb8-318a-4fce-affa-046dcebcecae","value":"worlding-architecture","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"51bf2764-5b37-4b79-87aa-9e08adab5660","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Worlding as a spatial ethic\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"cab77778-fd72-4833-9529-add76ee07c0a","value":"exhibition","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"c985a0c0-721a-4e5a-b554-1d3de5a67a60","value":"2026-01-07","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"297ea489-8883-437e-8121-b6beb648c434","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 3 canvas printed artworks (Fuzzy Forms) + 6 3D printed bas reliefs (Hyper Prouns) + installation arrangement\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies (Fuzzy Forms: 16 x 20 in each; Hyper Prouns: 2 x 2 ft each)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Benilde Center for Campus Art Exhibitions (CCX); Art in the Park 2024\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Worlding Architecture treats architecture as an act of composition across realities. Instead of isolating objects, it assembles them into an interconnected ecology, forms, systems, atmospheres, designed to resist passive viewing. The exhibition reflects on how digital experiences are becoming increasingly felt through the body as much as the screen: algorithmic feeds and synthetic surfaces collapsing the line between real and virtual.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Worlding is skeptical of site-based gravity. It prefers free-floating typologies, disjunction, and weird mechanics of presence. The work embraces contradiction: vivid but fleeting, ambiguous yet intentional, architecture as cinema within the cinematic.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"6f6b43c5-f2ea-498d-a5a6-4ebece5f5522","value":"{\"image\":\"bc98e1a950f31d747fb221608243283ac9179bc3\",\"imageThumbnail\":\"bc98e1a950f31d747fb221608243283ac9179bc3\",\"originalImageHeight\":1374,\"originalImageWidth\":2470,\"altText\":\"\",\"fileName\":\"25 - Worlding C.gif\"}","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"c4073cb3-414f-4399-bb6b-d06d2bdc6c32","value":"{\"image\":\"66e9ea90f9d8b72544ad1e6f2cefb3b8a93137f9\",\"imageThumbnail\":\"b80551782a9227eec5f15764bb3f2ddf7cc93227\",\"originalImageHeight\":2268,\"originalImageWidth\":3582,\"altText\":\"\",\"fileName\":\"25 - Worlding A.png\"}","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"232fc8e7-b002-4a82-bcab-7f3d92ce973e","value":"{\"image\":\"2f5306c7669c8507b6dc84340bb3c35f08f0b1f3\",\"imageThumbnail\":\"f5acb32052fd8688bdf4589079dd3ca4c4c6ccc2\",\"originalImageHeight\":2268,\"originalImageWidth\":3582,\"altText\":\"\",\"fileName\":\"25 - Worlding B.png\"}","itemId":"84991840-8f80-4083-88a2-9674b3b8030f","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"}]},"0c32f567-19bf-495a-a789-3f69823c8c3f":{"id":"0c32f567-19bf-495a-a789-3f69823c8c3f","index":"8OOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"7a3e65f5-8054-4fc8-b271-5f275341b680","value":"alex-gab","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"89ebe788-5541-4a69-acd0-eeb60d96f578","value":"Hybrid","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"f119619e-9934-449f-8a08-46eab0b81523","value":"2025-05-05","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"27a54fd8-0061-4ea5-9ed9-ba9cb2601fd6","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Branding as world-building\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"36d242a0-d1c6-4f16-8f03-dde17665ec34","value":"A collaborative wedding identity system built as both atmosphere and artifact: esoteric, poetic, and playful, with bold energy and cute-maximalist warmth. The branding extends across digital touchpoints and physical collaterals, treating the wedding not as a single day but as a designed world with its own symbols, rituals, and characters.","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"a78d0e6e-265c-4c2a-b26b-cde06e29d8ef","value":"experience","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"2254ca78-43f0-4dd2-a352-9df03c88cce4","value":"Alex + Gab","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"89d66a41-6b6f-4131-b27f-67e4e62e35e6","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Identity system + visual language (digital + print applications)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Our Wedding's Gesamtkunstwerk :)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Co(love)orator: Alex Esguerra Brioso\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"This project treats wedding branding like a small-scale universe: a system of symbols, textures, and tonal cues that hold memory, humor, and intimacy at once. The aesthetic balances softness and intensity: cute and curated, but with a flicker of chaos and boldness that keeps the language alive rather than purely decorative.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Rather than theme as surface styling, the identity operates as a toolkit: flexible enough to travel across invitations, signage, digital announcements, and keepsakes, while staying coherent through repeated motifs and a consistent voice. In this sense, the branding behaves architecturally: not a logo, but a set of spatial decisions about how people enter, feel, and remember the event.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"dcdcb102-43f7-43c1-a7b5-98f46500ec53","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The identity treats consistency as a form of care. Repetition is not redundancy here, it is how a world becomes believable. Motifs recur like small rituals, while typographic decisions act like structural beams that keep every application standing. The project resists generic elegance by letting the visuals misbehave slightly: bold edges, playful density, and moments of esoteric symbolism that reward attention. The result is branding that does not merely decorate the wedding, it stages it as an atmosphere that guests can inhabit and recall.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"8d5ee452-f004-4ab2-89b5-e03f6154e27a","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A system built for repetition with personality\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"c0e049b6-836b-449c-863d-6d007e9b77f3","value":"{\"image\":\"3e370209358165a6381c52704a5196c9a043935d\",\"imageThumbnail\":\"19d1d0cf6dec638fa64292be926cfdb549600765\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"24 - A+G A.png\"}","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"f9d33bbc-ae5f-48c7-9755-d58dbfac6acc","value":"{\"image\":\"9fc4e505cc7f50106a5a6af2325e235b623073ac\",\"imageThumbnail\":\"c2daeb6b2296fb481288b8f5ce5a5b29968dd863\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"24 - A+G C.png\"}","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"47a0bfca-481b-4eae-b1fd-d94d9c9015e7","value":"{\"image\":\"74f14e02e3f894f873e60bbb6cfd166035873b32\",\"imageThumbnail\":\"01482cd228e6ddedce052a7da29861890272097a\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"24 - A+G B.png\"}","itemId":"0c32f567-19bf-495a-a789-3f69823c8c3f","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"}]},"99fd38a7-4a21-49f4-a336-2882b605c762":{"id":"99fd38a7-4a21-49f4-a336-2882b605c762","index":"8OOOOOOOOOOOOOOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"5c11c178-eec6-4a96-89f7-994d93e6516e","value":"Bernini-Firminy","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"b90ea357-4dba-4552-8424-907966c57733","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"When ornament becomes an algorithm\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"b434d06f-8aeb-4191-a8ab-938604e5f735","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": AI neural-net style transfer studies + symmetry-based 3D object generator outputs\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The project begins with an intentionally loaded pairing: Firminy's modernist restraint and Bernini's baroque insistence on persuasion. Instead of treating ornament as historical style, this work treats it as a behavior: a method for guiding attention, manufacturing meaning, and amplifying belief through surface.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Using neural style transfer, details become contagious, leaking across forms the way narratives leak across feeds. Symmetry engines then push the chapel into a new regime: repetition, spectacle, seduction. The result is less architecture remix than a critique of how images claim legitimacy today. Here, AI is not a shortcut; it is a tool to be misused deliberately to reveal the mechanisms of conviction.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"f57b064c-0c4b-49fc-9ccd-3f862373eda9","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Ornament as evidence\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"9f13df39-66e6-4640-803a-8c32fadf8820","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"What emerges is an architectural object that behaves like an edited headline. The chapel stays recognizable, but its credibility becomes unstable. The work insists that visual authority is not inherent to form, it is produced through techniques that can be replicated, accelerated, and scaled. In that sense, baroque and machine learning meet on common ground: both are engines for persuasion. The images function as tests, each iteration asking how quickly meaning can be swapped while the silhouette still reads as truth.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"fc0f3ec2-53f2-4e87-8a10-88d055a7dcf7","value":"A modernist chapel is re-seen through baroque excess: not as a joke, but as a test of how images manufacture authority. Bernini-Firminy repositions Le Corbusier's Firminy chapel under Bernini's theatrical detail systems, using AI style transfer and symmetry-based generators to treat architectural truth as something constructed, especially in the age of post-truth.","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"b1a192ad-8734-410f-bc91-6ed933faf3fb","value":"2020-05-05","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"34ad8ecd-38dd-4836-991e-0e91b0a1768b","value":"experiment","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"5aa1aa44-38e5-4ccd-9a5d-c7611b938876","value":"Digital","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"feadead7-e261-4ffa-81b1-64ec6e726cad","value":"bernini-firminy","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"02051e49-ffeb-455d-93bb-7b293e13e30d","value":"{\"image\":\"4decf7925762f83a1d7b2769546922920fc52bb6\",\"imageThumbnail\":\"4decf7925762f83a1d7b2769546922920fc52bb6\",\"originalImageHeight\":390,\"originalImageWidth\":640,\"altText\":\"\",\"fileName\":\"01 - Bernini B.gif\"}","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"a73e0f44-461f-494d-813a-91ea7c44225e","value":"{\"image\":\"4decf7925762f83a1d7b2769546922920fc52bb6\",\"imageThumbnail\":\"4decf7925762f83a1d7b2769546922920fc52bb6\",\"originalImageHeight\":390,\"originalImageWidth\":640,\"altText\":\"\",\"fileName\":\"01 - Bernini B.gif\"}","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"2f031bc7-25e0-4b3a-ac81-2a9439cc24b9","value":"{\"image\":\"4b569f38044a1a3757c7fe00d21a1be0e91a0d6d\",\"imageThumbnail\":\"987c1f5632a344a1d1692a0fe758079268ab9a45\",\"originalImageHeight\":659,\"originalImageWidth\":1080,\"altText\":\"\",\"fileName\":\"01 - Bernini A.jpg\"}","itemId":"99fd38a7-4a21-49f4-a336-2882b605c762","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"}]},"465d80e0-d750-47f6-b6d5-c2d7a13ef606":{"id":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","index":"8OOOOOOOOOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"0b636296-1b7e-47db-bb9e-f1e5b4833cd0","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Turning the invisible into a specimen\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"4e4a09bb-f2f4-44c4-8d02-344c209d0a63","value":"Where are the Trolls?","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"db884f37-3fe9-41d5-b3de-2bc494e5a283","value":"object","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"191e8ea9-b55c-4341-ab5d-6c96876917e7","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A troll hub you can hold in your hand\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"7fd69256-5d69-4268-8226-df0f8059778d","value":"where-are-the-trolls","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"1cdde6a9-70f7-48cc-9d38-5471cb5bf709","value":"Hybrid","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"24fcd2eb-b458-4927-aadd-755e2d839abf","value":"2022-06-01","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"0738f4be-94e6-41aa-8245-77b18d560d6e","value":"Painted phone sculptures become gateways into AR troll hubs, kit-bashed hyperobjects built from digital affordances and fabricated scripts. By turning orchestrated hate into a touchable, scannable artifact, the series makes explicit the aesthetics and the hidden operators of networked aggression.","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"caed6a8a-177b-405c-b5c5-ca00ca5388b5","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Digital prints on painted mobile phones + AR objects\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 10 x 10 x 10 to 30 cm (height varies)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited in Sub_Liminal (Philippine Women's University)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Orchestrated hate transforms posts from information into infrastructure, hubs of provocation that accumulate anger through repetition and anonymity. This series stages that infrastructure materially. Each sculpture contains a QR code that unlocks an AR hyperobject: a dense assemblage of digital cues and behaviors extracted from troll culture.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Alert yellow functions like a warning label for digital space, implying a withdrawn controller behind the interface: platforms, data manipulation, campaign managers, behavioral engineers. The work's aim is not to moralize, but to render the phenomenon legible: to make the invisible structure of aggression feel heavy, spatial, and designed.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"c16d0244-10b8-4167-b158-212a16455394","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The series refuses the comfort of distance. By placing the gateway on a phone body, the work collapses the separation between device and harm, between interface and infrastructure. The AR hyperobject becomes a compressed world: not a single troll, but a clustered ecology of scripts, bait, repetition, and engineered affect. In this format, hate is not only a statement, it is a design problem with a visual language. The objects function like evidence you can rotate, scan, and confront, without the platform’s usual camouflage.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"caece88e-0c0e-4743-8d0a-5615f3a52624","value":"{\"image\":\"c12677a6d4c484f2ea9d6ec48e3628ec2dcb64e3\",\"imageThumbnail\":\"c085f1cbea9cff45c1af75f67a87ed397473bcc6\",\"originalImageHeight\":1263,\"originalImageWidth\":1242,\"altText\":\"\",\"fileName\":\"05 - Trolls A.png\"}","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"d1d73de7-2e2b-4a3c-848d-6316847bac6f","value":"{\"image\":\"b5b1203ed1afcbc0968f5a412262e577b8227981\",\"imageThumbnail\":\"47c6ca4a069bec32d78f601011ed0b2138b9c83e\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"05 - Trolls B.png\"}","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"b8a7ccf5-2785-42ee-9a8d-cb4d3758da39","value":"{\"image\":\"06da47e39b01feaf3e116a75a49649492dd2fe87\",\"imageThumbnail\":\"60ef2005293f186f149baf3eb0f7a75f7422f0e2\",\"originalImageHeight\":1296,\"originalImageWidth\":1737,\"altText\":\"\",\"fileName\":\"05 - Trolls B.png\"}","itemId":"465d80e0-d750-47f6-b6d5-c2d7a13ef606","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"}]},"19074620-57c0-4310-a184-7584761fa6fa":{"id":"19074620-57c0-4310-a184-7584761fa6fa","index":"8OOOOOOOOOOOOOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"3ebc3583-5263-48e1-a9b9-9e7025c2b741","value":"2020-07-01","itemId":"19074620-57c0-4310-a184-7584761fa6fa","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"afdbb36b-72e8-4806-bc19-37acd3c8799f","value":"supergrid","itemId":"19074620-57c0-4310-a184-7584761fa6fa","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"89b798b1-2113-4951-a583-781e9079655a","value":"Supergrid","itemId":"19074620-57c0-4310-a184-7584761fa6fa","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"91c820cb-d8d8-4d4b-8129-1093bc0abfa8","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The island operates like a diagram of belief. Players accept warped proportions and compressed physics, yet still perform social life inside the frame. This project leans into that agreement, making the island read like architecture that knows it is artificial. The work asks what it means to curate a place that cannot pretend to be material, only consistent. 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Its worlds are synthetic, frictionless, and often spatially incoherent, yet they still host real rituals: visits, tours, conversations, performances. Supergrid takes that contradiction seriously and stages an island that refuses realism.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Instead of hiding the game's material limits, the island amplifies them, treating customization as construction, and construction as curatorial practice. Textures and objects are scattered like artifacts, while the environment functions as a walkable exhibition ground for visitors. The island becomes an allusion to that period's accelerating digitization: a moment when virtual stopped being a genre and started becoming daily atmosphere.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"19074620-57c0-4310-a184-7584761fa6fa","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"b003e059-8592-4a14-886c-87a3d822857e","value":"experience","itemId":"19074620-57c0-4310-a184-7584761fa6fa","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"8de81766-ee21-441b-8b5e-019eccc6b497","value":"A virtual island built as both artwork and venue. Supergrid treats Animal Crossing: New Horizons not as escapism but as a spatial condition where scale, color, and interaction are visibly distorted, yet people still behave as if the world is real. 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Usernames are exaggerated into figure-ground compositions, aestheticizing what is usually withdrawn and hard to study. Each work contains a QR code linking to the account it names, hoping that improved platform policies will someday turn that link into a blank page.","itemId":"ea4c9c6d-5773-4aab-9f50-bc51e5803951","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"d9935392-c7a5-423f-bec6-ccf2a8cbf9f3","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Giclee print on sintra board (Edition 1/1)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 148 x 210 mm\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited in Real Things in Real Time (Backroom Creative Space, Manila)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Fake accounts are often sensationalized, and that spectacle becomes a shield: it prevents close reading. Future Epitaphs narrows the lens to one trace, the username, treating it as both residue and symptom. Through typographic exaggeration, each name becomes a structured visual field, a way of studying troll identities without turning them into mythology.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The QR code operates as a footnote you can activate: a bridge back to the profile, the source, the evidence. The series imagines a future where these links lead nowhere, where disappearance becomes the epitaph's completion.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"ea4c9c6d-5773-4aab-9f50-bc51e5803951","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"aa25eed0-95d7-4fed-b4cb-4725ae673880","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"By enlarging the username into a compositional event, the work forces a question that platforms avoid: how does identity get manufactured when accountability is removed? The typography is not decoration, it is an x-ray of behavior. Each letterform becomes a small act of exposure, pulling what is meant to be fleeting into an object that persists. The QR is a fragile contract with the present: proof that the account exists now, and a wager that it will not. 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Hyperwall turns scanning into a public gesture and uses interactivity to raise conversations about disinformation, while proposing that contemporary art can exceed a single site by existing in multiple places at once.","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"19a0a308-8e4a-43dc-9583-3a805e748700","value":"Hybrid","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"1a7d34d6-2d2f-4966-84f2-8f6a680c9228","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A wall that unfolds into another room\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"da6d2ed5-3d9f-494b-80d4-d608fcac04db","value":"exhibition","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"b5223125-3034-4a2d-999c-949e5e9ec4ae","value":"2022-07-01","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"2b38d1e4-8000-4dd3-9c26-519f0eda3d77","value":"Hyperwall","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"3ac3caa6-177e-4f31-830c-d1a565489419","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Public scanning as public reading\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"e5bd658e-2a8d-4bc3-a0e0-dfcdb9b5cc44","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Wall grid of A4 prints + AR objects (QR on-site installation)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited in Real Things in Real Time (Backroom Creative Space, Manila)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The front-end is intentionally plain: office paper, repeated format, minimal seduction. The seduction begins at the scan. Each QR opens an AR object mutated from hate-comment language, turning the wall into an array of portals.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The installation extends Where are the Trolls? into a spatial condition, emphasizing that disinformation is rarely singular; it is patterned, distributed, and infrastructural. By insisting on audience participation, the work becomes a conversation engine: people gather, point, compare, and argue in the act of revealing. It also carries a spatial thesis: art can be simultaneously local and replicated, anchored and distributed, present in multiple rooms through the same code.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"b9d3a603-1ef4-4f57-afdc-4d633e68d395","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Hyperwall reframes interaction as collective interpretation. A QR code is usually private: a quick shortcut, a personal transaction. Here it becomes social choreography. Viewers form micro-groups, synchronize attention, and compare what appears on their screens. The installation uses repetition as both aesthetic and critique. The grid suggests how coordinated speech functions: scalable, modular, designed to be deployed. By relocating that logic into an exhibition wall, the work asks audiences to recognize disinformation as built space, something you enter, not something you merely see.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"577d438d-ac11-46d9-82e2-267b267d9b04","value":"{\"image\":\"d9bf0d638abedb15bb2025af5a6ef5e873873438\",\"imageThumbnail\":\"e2414d91f99aee2e4596cbf4a197e22f6485cea2\",\"originalImageHeight\":1684,\"originalImageWidth\":1656,\"altText\":\"\",\"fileName\":\"09 - Hyper Wall A.png\"}","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"040e12a0-0973-4241-b9ac-b9ff3680f135","value":"{\"image\":\"a13605e2769e5fb754599856b073ec4024ad5510\",\"imageThumbnail\":\"db29cfa0002ece53de56d7f8d374616781b56264\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"09 - Hyper Wall B.png\"}","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"e1798bc2-ca6e-46bb-ba48-633240239ec0","value":"{\"image\":\"1c29efd52b77815e0585cb4d19b2318e1155ab62\",\"imageThumbnail\":\"e600bcc333c744b2f7afeda7e3743f128f8685e7\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"09 - Hyper Wall C.png\"}","itemId":"56dfc9a5-e1a0-4480-add3-5fc2371d4e4b","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"}]},"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374":{"id":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","index":"8OOOOOOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"cc7e9b0e-bd7d-4148-86b1-7506867c6d0f","value":"Real Houses","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"36375efb-3267-4f83-af22-54f806867948","value":"2022-07-01","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"abdf2721-e8f8-4d3c-8e00-510f485765d2","value":"graphic","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"f501936e-3468-481a-9c69-dcbf604d8761","value":"Hybrid","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"d656a8ed-9e29-4fee-8c55-1bf1e846d9ba","value":"A print-and-AR series dissecting staged realism: fake profiles and paid influence as domestic performance. Repetition becomes a machinic visual language, while QR codes unlock cubic AR houses textured with social media components, making fabricated narratives present in physical space.","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"87d50090-56d3-410e-9053-7e6b9dbaa023","value":"real-houses","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"4387d8c0-2f3e-4871-bdc5-9dd730eefe32","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The cube is intentionally blunt. It behaves like a container for strategies: layout as persuasion, texture as credibility, repetition as comfort. The work argues that staged realism is not innocent, it is production design for belief. By turning interface fragments into an architectural envelope, the series collapses the distance between the feed and the home. The house becomes a diagram of influence labor, a reminder that the most effective fictions are often the ones that borrow the language of care, routine, and ordinary life.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"3034ac8f-34c8-465f-8064-a134ccfba1a1","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Giclee print on sintra board + AR objects (Edition 1/1)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 420 x 594 mm\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited in Real Things in Real Time (Backroom Creative Space, Manila)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Influence work depends on staging: sincerity as template, domesticity as content, intimacy as performance. Real Houses exaggerates these affordances until they reveal their mechanical repetition: the same profile cues, the same image tropes, the same behavioral hooks.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Each composition hides a QR code that opens an AR object: a cubic house surfaced with interface textures. The shift from print to AR is crucial. The work refuses to let digital fabrication remain only online. By appearing in physical space, the house becomes more than image. It becomes a spatial claim you can approach, orbit, and doubt.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"a499c8d8-a870-460e-9015-8bdfd8c30fea","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Domesticity as an engineered surface\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"b6b48eb7-ef31-4abe-8769-c168bdd053cb","value":"{\"image\":\"5f1bcd7c22e8b7c93ab2eb8da630d44b30e4f985\",\"imageThumbnail\":\"50d6cc6934f747095319b1d14b609fb61bb3871c\",\"originalImageHeight\":1263,\"originalImageWidth\":1242,\"altText\":\"\",\"fileName\":\"07 - Real Houses A.png\"}","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"51adb573-6674-4d37-b351-74ea94047294","value":"{\"image\":\"2258645ed6388de549791647dce9e051d5bd52e4\",\"imageThumbnail\":\"12583d5c8dc5905642f3cac2f3ec93b7ca4a9507\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"07 - Real Houses B.png\"}","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"1c3175b3-b427-4630-b87a-22192b7625e3","value":"{\"image\":\"12e7955c5d0b828e860ed856afda1d4388b7d802\",\"imageThumbnail\":\"6e589f3b73ca21b4a65c93fdb8695095c7a5dd7a\",\"originalImageHeight\":1660,\"originalImageWidth\":2346,\"altText\":\"\",\"fileName\":\"07 - Real Houses C.png\"}","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"f3ec4c87-6ff0-4932-8c5d-1c26e8aaa3f1","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A house built from interface parts\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"dcc99f81-e56c-4a74-8aa5-7b53c6cd1374","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"}]},"0565840d-4692-477f-ada5-47b78424c077":{"id":"0565840d-4692-477f-ada5-47b78424c077","index":"8OOOOOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"c53d62a7-51de-45d5-96d1-1b4c3057226d","value":"Hybrid","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"e1fbda38-2499-4dad-9ddb-698c8b5f8d93","value":"graphic","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"03207343-e628-4a42-bf98-a26c564704fe","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"When incoherence is engineered\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"caa58e51-2e0d-4661-b33f-809640d93b28","value":"2022-07-01","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"2201af45-1f72-43d1-a2ea-20ddad53188f","value":"Quadruple Forms","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"4d4c784f-28e0-4e64-acea-3208ef71bfbd","value":"quadruple-forms","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"5e19016a-1d80-4a7c-b653-e96c6ed887c5","value":"Erratic visuals are not always mistakes. Sometimes they are distribution strategy. This series dissects paid posts and disinformation content, scaling fragments into dominant forms to destroy invisibility through overexposure. Two QR codes extend the work: one to the referenced post, and one to a shareable AR filter.","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"558f9652-ae0f-4ff2-8a33-f9c6a4048901","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The project insists that meaning is not only in what an image says, but in how it travels. A single composition becomes a distributed object with multiple exits: reference, interaction, replication. This is not an add-on, it is the argument. Disinformation works because it multiplies contexts faster than critique can follow. Quadruple Forms responds by making multiplication visible and unavoidable. The same fragments that hide inside the feed are extracted, enlarged, and forced into legibility, as if turning the volume up could finally expose the mechanism.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"c1d0b282-6b17-4160-b878-4c94c388f087","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Giclee print on sintra board + AR objects (Edition 1/1)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 420 x 594 mm\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited in Real Things in Real Time (Backroom Creative Space, Manila)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"At first glance, paid posts from trolls and influence laborers can look visually chaotic. But the chaos often performs a function: widening reach by appealing to multiple audiences at once. Quadruple Forms treats that randomness as a formal system. By zooming, scaling, and aestheticizing post fragments, the work turns camouflage into spotlight.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The piece extends across four dimensions: the print surface, the source reference (QR), the AR object, and the shareable filter. Interpretation is not contained. It circulates. The work becomes a switchboard where content is not only critiqued, but transformed into an ecosystem of viewing, scanning, and remixing.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"7b6ba896-1eb1-4010-8739-07c7889acb8a","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Four versions of the same trap\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"44da42da-4121-4692-a3af-ed90f988135d","value":"{\"image\":\"a7b978586ab0682755cf93f19dd1360cd7e28d6d\",\"imageThumbnail\":\"cf58a3b0f0b306c5b407c85a2a9b3407ba846ec2\",\"originalImageHeight\":1263,\"originalImageWidth\":1242,\"altText\":\"\",\"fileName\":\"08 - Quadruple Objects A.png\"}","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"ef075369-b0ea-4092-b424-cf2831ac32af","value":"{\"image\":\"25bd1221c430096820c7adaf42fb2583b73d61a5\",\"imageThumbnail\":\"ddd26e32d1d85d357e9be3d596644e737ddd0d3a\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"08 - Quadruple Objects B.png\"}","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"3c9548ad-c647-403f-91ae-2ac19ac7fad5","value":"{\"image\":\"90a4777a9cc9f7777d8bdce55a9b66f8df72b359\",\"imageThumbnail\":\"6993e17a3ebec611260fca1e08babce9b7bd6a93\",\"originalImageHeight\":1622,\"originalImageWidth\":2189,\"altText\":\"\",\"fileName\":\"08 - Quadruple Objects C.png\"}","itemId":"0565840d-4692-477f-ada5-47b78424c077","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"}]},"66a30db1-0b4f-445f-a3a8-59b52c55fed7":{"id":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","index":"8OOOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"a21b6c1a-fbee-46e8-9880-e81b363ed1d1","value":"Hybrid","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"5c4182e0-e526-4e63-bdfe-fa98668dd4d9","value":"Urban ruins in Pangasinan are digitally excavated through scanning, point clouds, and extracted image assets. Flattened clouds become pigment; ruins become central figures; QR codes summon AR models of the original sites, bringing latent creative possibility into the viewer's present space.","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"22bb3974-a4ff-4422-9f0f-b6a361f44e31","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The project treats scanning as a gentle form of extraction, one that does not remove material from a site, but removes the site from neglect. Point clouds become a second language for ruin, a way of admitting uncertainty and incompleteness as part of the record. The compositions do not romanticize decay. They propose that the rejected spaces of the city are already full of future use, but that use remains latent until attention is re-allocated. The AR layer functions like a soft return, not a replacement, bringing the site’s presence into new rooms without erasing its absence.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"834c4b98-c71f-4d7e-b790-d81228dfaac9","value":"graphic","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"2a9945b5-019f-402f-85be-835da90a35bf","value":"latent-spectres","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"3743886c-ffad-4a2f-bf8d-41aa458337e0","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Excavation without demolition\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"4c9eadb9-411d-4a96-ad80-c87d0abd09b9","value":"2022-10-08","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"b07a748b-b3d0-45f4-bb67-4a9beb6d3c75","value":"Latent Spectres","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"524ba38a-aaca-4241-a22d-2e035487eb53","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Giclee print on sintra board + AR objects (Edition 1/1)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited at The MacArthur House (Anakbanwa Residency Program), Dagupan, Pangasinan\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The series begins with abandoned sites, spaces rejected by development and often erased from cultural attention. Through scanning, these ruins enter a new condition: as point clouds and digital residues. Those residues are then composed into still-reality images where the ruin sits centered and the background is populated by manipulated, color-infused cloud fragments sampled from the site itself.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A QR code returns the work to its origin. Scanning generates an AR model of the location, allowing viewers to encounter the place as a navigable digital object. The piece does not aim for documentary neutrality. It aims for quiet haunting, carrying the latent specter of creative possibility into whatever room the viewer stands in.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"d2abf5b6-4b5d-42c2-9b1e-e9ebd682d75a","value":"{\"image\":\"ff8bd7db41d837f974a5758070504d6099cb56dc\",\"imageThumbnail\":\"093caf230dc03ad5fc6b5bfa85b87759a4c87b44\",\"originalImageHeight\":1620,\"originalImageWidth\":2616,\"altText\":\"\",\"fileName\":\"10 - Latent Specters C.png\"}","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"72c7f207-8e28-4ad7-ae36-b6c9f99844e1","value":"{\"image\":\"44163f66a193adf89b93aafc6a59b31df288157e\",\"imageThumbnail\":\"44163f66a193adf89b93aafc6a59b31df288157e\",\"originalImageHeight\":854,\"originalImageWidth\":480,\"altText\":\"\",\"fileName\":\"10 - Latent Specters A.gif\"}","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"dd35a61e-edf7-4185-9c29-b3f38e865953","value":"{\"image\":\"35dcf9e38251dcaf2a8ee149e400a3848e87cc7e\",\"imageThumbnail\":\"35dcf9e38251dcaf2a8ee149e400a3848e87cc7e\",\"originalImageHeight\":405,\"originalImageWidth\":405,\"altText\":\"\",\"fileName\":\"10 - Latent Specters E.png\"}","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"0caf73ca-5b83-4f24-9edc-5a10c3a9e7de","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Ruin as dataset, ruin as apparition\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"66a30db1-0b4f-445f-a3a8-59b52c55fed7","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"}]},"595c77c5-802d-428e-98c5-1c2749cd4665":{"id":"595c77c5-802d-428e-98c5-1c2749cd4665","index":"8OOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"79664e5e-bd69-47ee-9cbc-689915e0ce09","value":"tattered-objects-and-digital-moments","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"6dfdb1b7-460e-433b-972a-86c900116504","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A container that behaves like a screen\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"35f3aee8-0e44-427f-afbd-b2a72b2d2787","value":"2022-10-08","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"d987c900-cab2-443a-9657-f69357920cc0","value":"Hybrid","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"ae752f1f-301e-425b-bb29-5cf5ea6a1935","value":"Found artifacts from abandoned places are sealed into frosted polycarbonate vessels, obscured like content behind pixels. QR codes open AR models of the sites where the objects were found, staging a phone-to-object relationship that asks how the inevitable digital can be forced into new ways of seeing.","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"8b28c0e1-9c1d-4f53-ad59-35afd738eec2","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Pixelation as a moral choice\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"e0b10a9d-a103-436e-b3f2-b9e71a4176eb","value":"Tattered Objects and Digital Moments","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"ad5d65d0-5dd0-46af-88c5-05ce1847dae3","value":"object","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"b2841566-422d-4bf5-8c2f-9fd07a9e7593","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Found objects + polycarbonate panels + metal frames + AR objects\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited at The MacArthur House (Anakbanwa Residency Program), Dagupan, Pangasinan\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The frosted container is not just protective. It is architectural metaphor. Like a phone screen, it withholds the object while still offering insinuation: striations, pixels, partial silhouettes. The artifact becomes viewed rather than possessed.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Each frame carries a QR code that generates an AR model of the place where the object was found. The work forms a loop between physical trace and digital reconstruction, refusing the simple hierarchy where the digital replaces the real. Instead it asks: if the digital is inevitable, how can it be misused intentionally to make old things readable again, to expand attention rather than compress it?\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"595c77c5-802d-428e-98c5-1c2749cd4665","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"df5f317c-ab8c-4fa5-b356-2d44df8293fd","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The work treats obscurity as an ethical posture. Instead of displaying found artifacts as trophies, it filters them through a surface that performs distance. The viewer receives only hints, enough to confirm presence, not enough to consume it fully. In parallel, the AR site model returns context without pretending to restore the past. The project proposes a new pact between object and phone: not extraction and capture, but translation and care. 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Varied plan views of a disinformation object are laid out symmetrically, layered with different visual treatments to mimic the engineered hypnosis of fake engagement. The image does not simply represent disinformation. It performs its seduction through composition.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"At the center sits the QR code, staged as a deliberate endpoint. Scanning it flips the work into its back-end: a three-dimensional AR model of the disinformation form. This hinge insists on medium specificity: disinformation is not only text or image, but a system designed across surfaces, behaviors, and transitions.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"1ad6473b-0169-4850-a64b-8ca0d1651bfe","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"d4034805-83ac-46db-a588-65f186e2556f","value":"Hybrid","itemId":"1ad6473b-0169-4850-a64b-8ca0d1651bfe","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"3c00ee49-46a7-44e7-94a8-4ef02d2c78df","value":"hyper-fidelity","itemId":"1ad6473b-0169-4850-a64b-8ca0d1651bfe","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"9d9266ca-8c33-405c-8294-13ec753d1ef8","value":"Hyper-Fidelity","itemId":"1ad6473b-0169-4850-a64b-8ca0d1651bfe","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"ab7ed51c-f644-4dd6-9fdd-0213331261ff","value":"graphic","itemId":"1ad6473b-0169-4850-a64b-8ca0d1651bfe","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"53638343-e60b-4f17-8d8e-1631099f7b80","value":"2023-02-01","itemId":"1ad6473b-0169-4850-a64b-8ca0d1651bfe","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"58b0c24d-d2a1-4c87-aedc-e02e78392809","value":"A two-part work: a symmetrical poster composite that simulates disinformation's hypnotic pull, and a back-end AR model where disinformation becomes volumetric. 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The point was not futuristic styling; it was temporal displacement: what does product logic become when culture, materials, and perception mutate? The studio treated weird as a discipline for building future literacy.","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"3076abc2-5a69-4306-a642-275abe55d748","value":"teaching","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"af0e913f-c3f3-444c-b6ae-b71ff01cf840","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"By forcing a product to survive centuries, the studio revealed what “design trends” usually hide: every object carries assumptions about labor, maintenance, supply chains, and bodies. In distant time, those assumptions break. Weirdness becomes a precision tool for surfacing what is otherwise invisible. It helps students invent new logics instead of repainting old ones. The results read like artifacts from a future museum, but the pedagogical aim is immediate: to expand the designer’s imagination beyond present-day defaults and to treat the future as something designed by constraints, not vibes.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"88f254dc-27bd-433c-816d-003586252272","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Design studio (speculative product systems, future-operational scenarios, visual languages)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Ateneo de Manila University (Studio)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Works by my students:\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" Isabel Castillo and Pau Lasala; Xab Ko and Denise Atanque\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Students were tasked to design products meant to operate far beyond contemporary taste cycles, objects calibrated for contexts shaped by new environmental pressures, social behaviors, and technological norms. Weird aesthetics served as more than style. It was an instrument for breaking default assumptions about usability, desirability, and cultural legibility.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The studio asked practical questions disguised as speculative ones: What materials feel normal when today's plastics become tomorrow's geology? What counts as ergonomic when bodies, interfaces, and environments are no longer strictly human-centric? What does product identity become when branding is spatial and systems-based? By staging products as operational artifacts from a distant horizon, the work trains students to treat futures as design constraints, not moodboards.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"0ee87e43-3a75-4b08-98e3-435454e9fcb5","value":"{\"image\":\"41843c386e25992c3a45e29e41b7f4ce47e6936d\",\"imageThumbnail\":\"41843c386e25992c3a45e29e41b7f4ce47e6936d\",\"originalImageHeight\":1372,\"originalImageWidth\":2092,\"altText\":\"\",\"fileName\":\"17 - Speculative Products A.gif\"}","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"f5eda023-df7b-4234-91b2-ddba65190635","value":"{\"image\":\"96fa52bb967268f2e02a4c8185147c3facd9fcde\",\"imageThumbnail\":\"96fa52bb967268f2e02a4c8185147c3facd9fcde\",\"originalImageHeight\":1372,\"originalImageWidth\":2092,\"altText\":\"\",\"fileName\":\"17 - Speculative Products B.gif\"}","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"b9b26d5d-bf7e-424c-8d44-26dee5b557b5","value":"{\"image\":\"7ecd600b7b883e7022d34a174b464edad812ffde\",\"imageThumbnail\":\"7ecd600b7b883e7022d34a174b464edad812ffde\",\"originalImageHeight\":1372,\"originalImageWidth\":2092,\"altText\":\"\",\"fileName\":\"17 - Speculative Products C.gif\"}","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"8ad3775c-cbcc-4dff-97cb-18103fa1e0a7","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Designing for a time that will not recognize us\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"569dc8fb-5fa9-489f-8122-3656c945420b","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Temporal displacement as critique\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"59d88526-be18-49db-bd08-6e58dfc4a218","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"}]},"2ff26689-1afc-42d8-9844-104342b27912":{"id":"2ff26689-1afc-42d8-9844-104342b27912","index":"8OOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"9f40dd7a-36ba-47ce-a5e9-dbeba0e79f86","value":"A design-fiction relic from a far digital future: a slice of speculative rock from a Digital Exomoon where plastic has become geological. The object imagines tectonics formed by recycled 3D printed plastic merging with mineral mass, suggesting new uses: cable channels, thermal vessels, personalization nooks, and data-storage architectures.","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"733af79f-8d91-4af4-a3d8-8481e61b2596","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A geology of computation\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"0aa3dda4-5e6d-40c9-96a7-b93b6dec639d","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The piece refuses the fantasy that the digital will remain weightless. Here, computation requires geology: containers, channels, cooling, storage, infrastructure thick enough to survive the future it enables. By embedding plastic into rock, the work literalizes a condition already present: technological progress leaving material residue that does not disappear. The artifact reads as a speculative cross-section of our time, a future that has fossilized our conveniences. Its proposed functions are intentionally mundane, because the future is rarely cinematic. It is logistical.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"29900d84-9628-4dfb-a66a-f59613cf1ff8","value":"Otherness: Geopixels","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"2f25b501-8697-44f8-9583-b82355c09efa","value":"otherness-geopixels","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"cf19862b-266a-4098-bb13-4fff70a6cd22","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A relic that treats trash as tectonics\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"933ed597-c8c4-4399-8109-6ce0ec9ada5b","value":"object","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"21d70a78-9b24-4c5f-9e3c-674a632dcade","value":"2024-07-01","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"921873f9-e590-4961-8a7d-75f3c44aa4d9","value":"Tangible","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"1fcd3d45-2fd8-45db-ad72-f217e1f8e820","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Acrylic, plaster, clay, transparent hose, recycled 3D printed plastic on canvas\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 12.5 x 11.4 x 14.1 in\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Published in The Grey Space Gallery Manila\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"In this fiction, cyberspace dominates the built environment and the Anthropocene's excess becomes literal geology: rocks naturally imbued with plastic. Oxidizer is imagined as a container for supercomputers and a vessel for data storage, an artifact where computational life is housed inside tectonic form.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The work uses speculation not to predict, but to probe. By exaggerating a plausible trajectory, plastic saturation, infrastructural dependence, environmental collapse, it offers a material meditation on technology, humans, environment, and digital culture as increasingly inseparable systems. The object reads like a fragment from a future archive: a warning, a curiosity, and a proposal at once.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"38365cdf-9032-4200-8b32-9b29cbd63c30","value":"{\"image\":\"eff19e902dea6ff42cdea6b9d1700fa99798f170\",\"imageThumbnail\":\"c86107a8592b557806324b58664bcfe2059f8809\",\"originalImageHeight\":3204,\"originalImageWidth\":4100,\"altText\":\"\",\"fileName\":\"18 - Geopixels A.png\"}","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"ac5a29a9-4907-4c71-a532-4a83f5abcdbe","value":"{\"image\":\"8845e800176f80ddbc2be1229cfd157ebbb89b45\",\"imageThumbnail\":\"f6bc7a3dec2bbddb6be5fc7609df15e929708016\",\"originalImageHeight\":3075,\"originalImageWidth\":4100,\"altText\":\"\",\"fileName\":\"18 - Geopixels C.png\"}","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"4c970224-0edf-4db1-ab97-94dbf1dc70c2","value":"{\"image\":\"2c4a7db8179a7ea8a4e281aa54f1a676ba962511\",\"imageThumbnail\":\"f757b16bc712b012eae9720c8f87872fb34e7119\",\"originalImageHeight\":2400,\"originalImageWidth\":4100,\"altText\":\"\",\"fileName\":\"18 - Geopixels B.png\"}","itemId":"2ff26689-1afc-42d8-9844-104342b27912","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"}]},"8718d231-b870-4fe9-8e30-9846b71a0e43":{"id":"8718d231-b870-4fe9-8e30-9846b71a0e43","index":"8OOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"8178535d-6bc4-4bdc-b4a7-2cec852bb8b4","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"By grounding the fiction in volcanic speculation, the work resists pure fantasy. It treats catastrophe as formative, not exceptional: a force that reshapes matter, settlement, and the future’s definition of “normal.” The voxel logic suggests that nature itself has been quantized, not because the planet becomes a game, but because measurement and computation become the dominant interface through which survival is negotiated. The artifact becomes both terrain and diagram, a reminder that the future’s landscapes will be shaped by human excess as much as by natural violence.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"3e9c22d3-2806-477d-a7a6-2182d422d541","value":"Tangible","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"687fa67c-5bfe-4266-a2d7-8172ae64bb09","value":"otherness-voxel-exomoon-geosphere","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"91361fea-cb25-4442-b98f-a9f533688430","value":"Otherness: Voxel Exomoon Geosphere","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"7853a4dc-8da3-4fab-9473-c84914aa2c5e","value":"A companion exomoon artifact shaped by speculative conversations with a volcanologist: geology after the post-Anthropocene, where disaster and human activity remake planetary matter. The work continues a fiction of digital futures by staging rock as both landscape and interface.","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"fb2923a1-80e0-47b6-ac86-aa554e0822b5","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Disaster as a design parameter\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"4946128c-310d-4ea4-b7e0-f472149cb6ef","value":"object","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"5110d45e-2aec-4b8c-a3da-8c46b4baf175","value":"2024-07-01","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"eb208ef3-dd67-4d98-b825-2e7603882863","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"When the planet becomes an interface\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"9969014f-d4fc-4268-b892-f8c9cd9987a1","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Acrylic, plaster, clay, transparent hose, recycled 3D printed plastic on canvas\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 24 x 24 in\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Published in The Grey Space Gallery Manila\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"This piece extends the exomoon fiction as a method for thinking with contemporary conditions: ecological instability, infrastructural dependence, and the increasing intimacy between computation and environment. Conversations with a volcanologist anchor the speculation in a world shaped by disaster and human residue, where geology is not neutral background but active consequence.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The voxel framing hints at a world discretized: terrain as unit, matter as modular, environment as system that can be read and reconfigured. The object becomes a meditation on merger, technology, human, environment, digital culture, not as metaphor, but as material destiny.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"76ab28bc-abdf-424f-b2ef-7048503189f8","value":"{\"image\":\"a1740dd04d0374abc2a7ef9fd6d02fe8fca88a52\",\"imageThumbnail\":\"79c413601e12cd11b78a7cefa9d19b63bbfa25a5\",\"originalImageHeight\":2763,\"originalImageWidth\":4100,\"altText\":\"\",\"fileName\":\"19 - Exomoons B.png\"}","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"8ee9cd58-cb1e-4fe5-a4e6-de40b32aaab0","value":"{\"image\":\"90af9991de801c46fd73f0c74709270058594870\",\"imageThumbnail\":\"715d5477751ea77c48fb5a247d2085597c8d4158\",\"originalImageHeight\":2763,\"originalImageWidth\":4100,\"altText\":\"\",\"fileName\":\"19 - Exomoons A.png\"}","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"728ef0be-59fa-4db4-878c-4000a318d587","value":"{\"image\":\"5c9d85efc8bbfa9a4190344d06d8e393d6b54c93\",\"imageThumbnail\":\"63928a6fbf937c91f29b4954dd18a021c13fd3c5\",\"originalImageHeight\":2763,\"originalImageWidth\":4100,\"altText\":\"\",\"fileName\":\"19 - Exomoons C.png\"}","itemId":"8718d231-b870-4fe9-8e30-9846b71a0e43","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"}]},"2143401c-acdf-4f8c-82b1-015f85fc7420":{"id":"2143401c-acdf-4f8c-82b1-015f85fc7420","index":"8OOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"971c2a54-dafc-4c77-9821-8d7c03d8ddea","value":"Hybrid","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"72c4c973-c1fa-4a57-bd00-50c4727a3bc8","value":"Emergent Architecture: Worlding","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"0f25666e-0ee5-4308-9f39-5d050a909c66","value":"emergent-architecture-worlding","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"83a5f98d-5f9c-4831-b0bc-aa4d7636f7da","value":"teaching","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"d251f71c-b804-427b-8643-b1dd50d8250b","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Design studio (scanning, digital transformation, world objects + lore-building)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": De La Salle-College of Saint Benilde (Studio)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The studio reframed Multispace against common misconceptions, positioning it instead as a serious spatial project. Students began by scanning clusters from personal spaces, then manipulating them through digital characteristics: videogame logics, AR translation, AI latent-space behaviors.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Over time, the work evolved from removing the image of familiar objects while retaining formal essence, into building isolated digital worlds, maps in themselves, supported by lore and architectural tropes. World Objects became both artifact and gateway: physical forms repurposed to accommodate physical and digital function, insisting that architecture today can be simultaneously matter and myth.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"588f7983-b7cc-40fa-9293-95736406b31b","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"From familiar room to fictional world\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"70dd1fff-0bc3-4057-ad58-4c957382ec94","value":"[Teaching - CSB Design Studio] - A studio examining Multispace: architecture that can exist in multiple instances, scenarios, and realities. Students developed World Objects that sift between physical and digital domains: scanning familiar spaces, extracting forms, then transforming them through game-world nuances, AR workflows, and latent-space thinking, culminating in lore-driven speculative worlds.","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"a87ffcad-7863-48e4-8f49-27d88760fea0","value":"2025-04-05","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"375410d7-73c7-4f35-a719-37dabfdbe286","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The core proposition is simple: the object is never only an object. It is a compressed environment, a seed for narrative, a portal for behavior. By forcing students to translate domestic scans into worlded artifacts, the studio trains an architectural mindset for contemporary reality: one where spaces are experienced across layers, and meaning is produced through transitions. The inclusion of lore is not escapism, it is structure. It teaches students to build coherence across media, and to treat “world” as an architectural output, not just a background for architecture.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"f1b92ad6-15e1-4b8e-a638-bf134578c139","value":"{\"image\":\"6471be0c0eed4c5e441453e314a575c9be2e59ab\",\"imageThumbnail\":\"9665eaf1b7134d8c8fa6408a91fb3094a7da92d8\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"23 - Emerge A.png\"}","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"6a0fc00f-4a26-408e-9668-425250877341","value":"{\"image\":\"4c31983172364f8b207f05ae8be835c4d8d8e753\",\"imageThumbnail\":\"116b6fb0ecb1840b506245bcb2affcffa3581eb6\",\"originalImageHeight\":1955,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"23 - Emerge C.png\"}","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"36bd6ec1-d9d5-4c6f-bd39-e8b3bb0f1a3b","value":"{\"image\":\"12cdfd341c59422f51189acbbbe9d70f2891d723\",\"imageThumbnail\":\"d2bcd97f9f1d0e2336ff6a6685e3a5ffda1362ac\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"23 - Emerge B.png\"}","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"b26063e5-0bd1-41be-86bc-20ed9613071c","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Objects that imply worlds\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"2143401c-acdf-4f8c-82b1-015f85fc7420","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"}]},"bdc855b3-5576-4c7a-9c37-d02b0ea16e87":{"id":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","index":"8","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"17c39667-71e5-46db-aded-01b900177f9b","value":"experiment","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"8eec5d1c-9834-4bac-b767-d6719882641c","value":"Digital","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"9eb1ac83-276c-4226-8d86-1670ef075f7c","value":"An attempt to force conversational AI into visual territory and let it produce something uncanny. Machine Logs treats AI not as assistant but as misused collaborator, extracting strange formal tendencies and translating them into tactile surface.","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"547a7b88-2b85-45d9-b375-542b35dcced0","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A log is not a portrait of a machine. It is a record of contact. Machine Logs suggests that the most interesting part of AI is not its accuracy, but its failure modes, the moments where it reveals a different logic of association. By materializing those tendencies, the work refuses the clean interface. It turns AI into something you can read through texture, seams, and improbable junctions. The object becomes a kind of physical prompt history, a reminder that “intelligence” here is always mediated, always translated, always partial.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"b6b86f3c-2cf0-45a9-9a06-0d89d35bae20","value":"2026-01-15","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"461ea017-a4c5-4f8f-bdc1-eb36c7acaddf","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": GenAI and Processing\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Machine Logs starts from a refusal: to keep AI confined to language. By pushing conversational systems toward form, the project treats the model's wrongness as aesthetic raw material, tendencies that feel tentacular, too-much, slightly off-register.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The work positions these outputs as logs: traces of a machine learning how to speak visually through misuse. Rather than aiming for polish, it aims for intentional uncanniness, an inquiry into how AI can be steered away from correctness and toward weird specificity.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"5218b676-b264-49a2-b5e8-2a2ba445ac06","value":"{\"image\":\"56e8f4259187554d705d9d41b0186a88f086db60\",\"imageThumbnail\":\"a1fd1ce156bfa6b494718ac28a168e278ddffe6a\",\"originalImageHeight\":2025,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"27 - Machine Logs 01-02 C.png\"}","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"86bc06e2-e90f-4128-b80c-031c94dd0e53","value":"{\"image\":\"cb538a24547133ed83e166020d2b340e3246239f\",\"imageThumbnail\":\"2fbfa1b64b0ea9583ed049da995432299a106867\",\"originalImageHeight\":2025,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"27 - Machine Logs 01-02 B.png\"}","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"15236198-7344-4315-a251-ad54acb1059b","value":"Machine Logs 01-02","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"d5c43654-fbb5-4c9f-8a5c-1d19d4489f88","value":"machine-logs-01-02","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"27eedc98-8847-41bb-8fe3-9bd64e1fa56a","value":"{\"image\":\"caf9a25e3768fd759674f024dd9086ec3a00b54a\",\"imageThumbnail\":\"c99f22031ba2193e11f6c31d40469fb27075c45c\",\"originalImageHeight\":2025,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"27 - Machine Logs 01-02 A.png\"}","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"b47188d0-9d74-4ed3-80cd-9a1b39208d74","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Misusing AI until it becomes visual\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"2e6b7fdd-fee0-4387-96da-df06a0a30a23","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The surface as transcript\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"bdc855b3-5576-4c7a-9c37-d02b0ea16e87","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"}]},"7803b5a4-db82-4438-bb0c-f1d54d416d5e":{"id":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","index":"8OOOOOOOOOOOOOOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"a2143f4f-6fd2-4529-9f55-52d4e0f7221c","value":"Digital","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"51155552-3662-4650-b10c-3b14a1e5fc75","value":"Still Realities of Objects","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"fac080fd-ce1e-4f96-ab84-c416a2c7fdef","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Restoring doubt to the photograph\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"12c952ce-c6a7-4a77-bfc7-b6ea1c649fe6"},{"id":"2cf4be00-b421-437d-a7f3-e3f232add818","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Augmented reality objects\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Varies\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Exhibited in Ephemera (Philippine Women's University)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Painting historically offered a pause from life: slow attention, controlled framing, object-centered contemplation. The smartphone often does the opposite, flattening reality into a capture economy. By renaming the genre still reality, the project insists on a different stance: use the phone to compose, not to consume.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Participants place AR objects within their immediate environments and circulate the resulting images online. The intrusion of the uncanny into the familiar forces scrutiny: the photograph stops being transparent and becomes questionable again. Through a posthuman lens, the work treats objects, digital and physical, as co-authors of reality, envisioning a digital space that can coexist with the physical without automatically collapsing it into content.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"c8a21c29-4571-45bb-9773-3304e1526843","value":"still-realities-of-objects","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"5b004ce9-9fe5-4d08-a0a4-ddd6831e270f","value":"2022-02-01","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"ce9acc1f-3887-4f88-a98b-0af031ffaf91","value":"xr","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"a383762d-63de-4c77-be02-2f3a76fa9c42","value":"A shift from still life to still reality. This AR series proposes the smartphone camera as a compositional tool rather than a reflex: users stage uncanny objects inside everyday spaces, producing images that restore doubt to the digital photograph and create a more mindful relationship with the device.","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"61465c5a-2102-4110-8952-a2f1d6ef7efa","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Still reality depends on a simple reversal: the device stops being a tunnel out of the room and becomes a tool for reading the room more carefully. The uncanny object is not a spectacle, it is a wedge. It interrupts recognition and reintroduces attention. The work suggests that posthuman perception begins at the smallest scale: how a table corner becomes a stage, how a hallway becomes a frame, how a familiar background gains strangeness once the image admits it can lie.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"64f33b43-aaf8-49b3-a23a-40670834429b","value":"{\"image\":\"99a569c43fd43c7632749ac057a59248efcec98b\",\"imageThumbnail\":\"0518f8bdfd96c4eb39ba01178c7c1e0e405e7c41\",\"originalImageHeight\":1263,\"originalImageWidth\":1242,\"altText\":\"\",\"fileName\":\"04 - Still Reality A.jpg\"}","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"8fb18ca1-9666-4c78-a7f2-dc31ee036930","value":"{\"image\":\"915c90a883d9de20875b87741f7d1f960c0f7a62\",\"imageThumbnail\":\"4cea99885d6076a726ab23e14d9a3286099b34bc\",\"originalImageHeight\":1263,\"originalImageWidth\":1785,\"altText\":\"\",\"fileName\":\"04 - Still Reality B.png\"}","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"6d4756fa-63a8-4361-8e84-76a068ae7b79","value":"{\"image\":\"f60eb3027eb8d4e6aecc6181f7a7e43b181b6554\",\"imageThumbnail\":\"6bc7239d7f37fc5b29213f272a1c34a482a6d44d\",\"originalImageHeight\":1080,\"originalImageWidth\":1920,\"altText\":\"\",\"fileName\":\"04 - Still Reality C.png\"}","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"d3274cba-21cb-41d7-b86b-18fd7be46266","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"A breather from life, inside the device that interrupts it\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"7803b5a4-db82-4438-bb0c-f1d54d416d5e","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"}]},"8a9ffbaa-aedb-441e-9cd2-34bfd205280b":{"id":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","index":"8OOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"b087c06e-a192-4a0b-96e3-de9d320f2e82","value":"exhibition","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"f2222699-2d03-44be-93d0-56a8b5b8bf47","value":"The Atlas of Domestic Futures","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"c726eec9-d807-421a-ba6d-73140f0c0afb","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Speculation as a redistribution of authorship\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"5b663dcf-1503-482a-b741-cbd2b577d162","value":"Hybrid","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"dc407cd8-20ad-4d1a-aacf-d9a3231b952d","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Each proposal treats domestic space as climate interface. Not a green-tech showcase, but a lived system shaped by heat, water, migration, repair, and community memory. The project insists that climate change is not an abstract global problem. It arrives at the scale of kitchens, roofs, thresholds, and sleeping arrangements. By centering local narration, the atlas argues for a different design ethic: futures that are not exported, but authored from within. In this context, the “speculative” is not escapist. It is a tool for making marginalized stakes legible and actionable.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"a8aa19f5-db69-4e63-9272-8419fc5ca8f0","value":"the-atlas-of-domestic-futures","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"6716482a-a2a2-43a2-98fb-e874911a1105","value":"A curatorial proposal and research project imagining speculative houses designed from local narratives across the Philippines, domestic architectures that respond to climate change as lived reality. The project foregrounds voices usually excluded from architectural futurism, insisting that those most affected must shape what viable futures look like.","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"d0b3a3fd-83fd-4209-af40-adbf84b35bca","value":"2024-07-01","itemId":"8a9ffbaa-aedb-441e-9cd2-34bfd205280b","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"cfc8afae-ebe7-44e1-bd60-e78780396d3b","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Curatorial proposal + speculative architectural research\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Not applicable\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Developed from a curatorial proposal for the 19th Venice Architecture Biennale (Philippine Pavilion)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Collaborators\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Ar. Harvey Vasquez and Ar. Robin Ravago\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"🔗 LINK TO THE VIDEO WALKTHROUGH\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"link\",\"version\":1,\"rel\":\"noreferrer\",\"target\":\"_blank\",\"title\":null,\"url\":\"https://youtu.be/igN-rsObIQ8\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Architecture's future narratives are often dominated by recognizable names and imported problems. The Atlas of Domestic Futures reverses the direction: it begins with local stakes and unspoken domestic realities shaped by climate change. Through speculative architecture, the project converts lived narratives into cogent spatial propositions, houses that do not merely adapt, but encode what adaptation means for specific places and people.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The atlas format matters. It positions each house not as isolated concept, but as part of a national field of futures, plural, uneven, and politically charged. 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Hyper Proun relocates that threshold into contemporary digital space, asking what the Proun becomes when today's production is inseparable from screens, pipelines, and avatars.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The work uses the hyperobject as a method for making broad, ambiguous experiences more specific. The bas-relief becomes a compression of a lived digital atmosphere, fragmented, layered, contradictory, translated into tangible depth. Rather than treating the digital as immaterial, the piece insists it has weight: it shapes perception, behavior, and the way space is imagined.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"75117045-cc93-4ddc-9475-748ad0ed2e69"},{"id":"b55a5cd2-23c0-4834-b262-803ca86250c4","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The object is not a translation of a single screen. It is a condensation of months: scrolling, switching, lag, attention spikes, quiet loops. Hyper Proun treats digital life as spatial memory, something that accumulates like sediment. In this sense, the work is architectural, not because it depicts buildings, but because it builds a condition you can stand before. The relief format matters: it sits between image and room, like the Proun’s original ambition, but now under the pressure of contemporary computation and avatar perception.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"03803af0-cb34-4ff6-b614-495c2358d0a5","value":"2024-10-01","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"e0bb43cb-eb17-45f3-8092-ff433536f690","value":"object","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"38c8c7c2-2e47-4a3d-ac2a-6f57f52abd8d","value":"A contemporary repurposing of El Lissitzky's Proun, an in-between dimension of painting and architecture, reframed for digital life. Through posthuman aesthetics and the conceptual tool of the hyperobject, Hyper Proun becomes a mirror of the spaces navigated by an avatar-self: a bas-relief where digital experience gains mass.","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"59a11591-569d-4e0b-bd2f-98e531f99229","value":"{\"image\":\"968bf900294115bd5aba8d8dd96d73dd8406ddeb\",\"imageThumbnail\":\"ecc833891c24081a1adc6dc9b451297084108ee6\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"21 - Hyper Proun A.png\"}","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"509644a0-3a60-4fef-952e-58015f3d7f78"},{"id":"95c4d7ed-d4e7-4111-8dc9-1356b5a9a38e","value":"{\"image\":\"f1ec965989783c0bbf003ee48c6a2fee33fc1690\",\"imageThumbnail\":\"a35dad6ed5081e33672acb827831b7eb5b11368b\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"21 - Hyper Proun B.png\"}","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"62615e6d-46b4-44d8-8506-c5a9ea700af1"},{"id":"4b730d6a-265d-4f33-a5d2-2c9af4d3786b","value":"{\"image\":\"5e1a3b35f046eebe26e84879a41f96f49b8892e1\",\"imageThumbnail\":\"a4ff6abfac02aebe9180c54564642fef0edc1907\",\"originalImageHeight\":1620,\"originalImageWidth\":2880,\"altText\":\"\",\"fileName\":\"21 - Hyper Proun C.png\"}","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"c40912ed-15f4-4453-a590-291affca5ff7"},{"id":"8357f113-c5ba-4a70-bb12-e129d854957a","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Between painting, architecture, and the feed\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"923f572d-2ea3-4fe0-baa4-9090e80c711b","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"}]},"19860bfc-efb0-456e-ae64-e45ddc0e6e84":{"id":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","index":"8OOOOOOOOOOOOOO","collectionId":"22fbc4c5-2219-4bca-9618-b4eaf92c6cd9","fields":[{"id":"042b1d88-343d-4959-b6a3-0ce5a0b9c0c9","value":"graphic","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"c4fb3fc6-0432-4478-b8bc-6d17c3dc2452"},{"id":"4d746c17-5d8a-4264-adce-7c7cd44fbdc2","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The disappearing text is not a gimmick, it is a behavioral critique. Polarization thrives on abstraction: victims become categories, not bodies. By tying legibility to distance, the work makes the viewer complicit in how they choose to see. Step back and the noise returns, like headlines that drown out faces. Step closer and the texts fall away, leaving a person. The project turns empathy into choreography, suggesting that “close reading” must become literal again, a physical commitment rather than an opinion.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"2e5a5962-f121-471a-aeed-bd3835441af7"},{"id":"30e12de2-9153-4e56-9a9e-69016ecdd17c","value":"A portrait trapped inside networked space: a centered subject against a void-grid field, with disinformation hovering like weather. In AR, the viewer's distance controls legibility: texts vanish up close and return at distance, proposing empathy as a spatial behavior.","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"55600279-f6a0-45c8-920f-c28ad0f7e725"},{"id":"32a1c4fb-1045-4f55-962d-ea38a45e3d40","value":"Polarized Personas","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"8dd33068-e460-4686-a90b-9ba9d2b766e4"},{"id":"ad332419-1b21-4b09-a8d8-d2aaa1e77800","value":"polarized-personas","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"717168a8-8540-4a84-94b7-3cf9db740f8e"},{"id":"98302a24-356e-4814-a8d0-299a71ed54bd","value":"2023-04-01","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"089010ea-1bd1-47a4-9533-2fafc7488a4c"},{"id":"30a45aef-f035-493b-ac88-917887dcb281","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Empathy as a change in viewing distance\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"heading\",\"version\":1,\"tag\":\"h4\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"8ffb0c45-cc12-46ec-8e01-ad79e90e9cdc"},{"id":"c8cfdb83-99b2-4207-bb18-1eca1f733584","value":"Hybrid","itemId":"19860bfc-efb0-456e-ae64-e45ddc0e6e84","fieldSchemaId":"f49c335b-597a-4339-a989-41a6cfade1d0"},{"id":"622dab5e-da38-4e4f-a4a6-feb80a13923b","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Project Stats\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Medium\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": Giclee print on sintra board + AR objects (Edition 1/1)\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dimensions\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": 420 x 594 mm\",\"type\":\"text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Exhibited In / Published In\",\"type\":\"text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\": SFAD Graduate Exhibition 2023 (Philippine Women's University)\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The work borrows portraiture's grammar, centered subject, controlled frame, then collapses it into a lonely digital topology: black void, superimposed grid, and extracted disinformation content above the figure. The surface reads as both image and environment: a person navigating a space designed to isolate and polarize.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The AR back-end turns that condition into an interaction. A 3D-scanned subject is surrounded by scaled disinformation texts. When the viewer approaches, the texts disappear; when the viewer steps back, they reappear. 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The project foregrounds voices usually excluded from architectural futurism, insisting that those most affected must shape what viable futures look like.","itemId":"51fe1eb0-17a5-48cb-83ef-73f5df992e9d","fieldSchemaId":"000e32ac-0432-4c06-a20d-4b86f8435d41"},{"id":"825702a1-a878-493f-bf0d-9abdef95da8c","value":"{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Each proposal treats domestic space as climate interface. Not a green-tech showcase, but a lived system shaped by heat, water, migration, repair, and community memory. The project insists that climate change is not an abstract global problem. It arrives at the scale of kitchens, roofs, thresholds, and sleeping arrangements. By centering local narration, the atlas argues for a different design ethic: futures that are not exported, but authored from within. In this context, the “speculative” is not escapist. 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Harvey Vasquez and Ar. Robin Ravago\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"🔗 LINK TO THE VIDEO WALKTHROUGH\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"link\",\"version\":1,\"rel\":\"noreferrer\",\"target\":\"_blank\",\"title\":null,\"url\":\"https://www.youtube.com/watch?v=igN-rsObIQ8\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":1,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Architecture's future narratives are often dominated by recognizable names and imported problems. The Atlas of Domestic Futures reverses the direction: it begins with local stakes and unspoken domestic realities shaped by climate change. Through speculative architecture, the project converts lived narratives into cogent spatial propositions, houses that do not merely adapt, but encode what adaptation means for specific places and people.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The atlas format matters. It positions each house not as isolated concept, but as part of a national field of futures, plural, uneven, and politically charged. The project is ongoing: less a finished catalog than a framework for listening and translating.\",\"type\":\"text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1,\"textFormat\":0,\"textStyle\":\"\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","itemId":"51fe1eb0-17a5-48cb-83ef-73f5df992e9d","fieldSchemaId":"dc0b6491-0313-4943-ac45-d3d0175c9fce"}]}}}},"slugByItemId":{"5304f08e-b75a-4cfd-b32e-e260ae8f92f4":"blue-objects","21d834a0-c069-4518-9bd1-d8c94af1dc0a":"disinformation-interface","ec203ab2-24ab-4511-8126-65f968690cae":"residual-objects","191b7298-f4aa-4ef4-a174-e4f0c4d847c8":"if-its-not-too-weird-enough","b0fa532d-c2c1-4250-aa9e-abe478298923":"hejdukian-digital","22b6f9d3-0f78-46b4-b424-4007dbbe378c":"voxels-of-influence","5be49071-442e-4f67-a3c2-d62fe9e62dad":"fragments-of-a-private-vacuum","84991840-8f80-4083-88a2-9674b3b8030f":"worlding-architecture","0c32f567-19bf-495a-a789-3f69823c8c3f":"alex-gab","99fd38a7-4a21-49f4-a336-2882b605c762":"bernini-firminy","465d80e0-d750-47f6-b6d5-c2d7a13ef606":"where-are-the-trolls","19074620-57c0-4310-a184-7584761fa6fa":"supergrid","ea4c9c6d-5773-4aab-9f50-bc51e5803951":"future-epitaphs","56dfc9a5-e1a0-4480-add3-5fc2371d4e4b":"hyperwall","dcc99f81-e56c-4a74-8aa5-7b53c6cd1374":"real-houses","0565840d-4692-477f-ada5-47b78424c077":"quadruple-forms","66a30db1-0b4f-445f-a3a8-59b52c55fed7":"latent-spectres","595c77c5-802d-428e-98c5-1c2749cd4665":"tattered-objects-and-digital-moments","1ad6473b-0169-4850-a64b-8ca0d1651bfe":"hyper-fidelity","59d88526-be18-49db-bd08-6e58dfc4a218":"speculative-products","2ff26689-1afc-42d8-9844-104342b27912":"otherness-geopixels","8718d231-b870-4fe9-8e30-9846b71a0e43":"otherness-voxel-exomoon-geosphere","2143401c-acdf-4f8c-82b1-015f85fc7420":"emergent-architecture-worlding","bdc855b3-5576-4c7a-9c37-d02b0ea16e87":"machine-logs-01-02","7803b5a4-db82-4438-bb0c-f1d54d416d5e":"still-realities-of-objects","8a9ffbaa-aedb-441e-9cd2-34bfd205280b":"the-atlas-of-domestic-futures","923f572d-2ea3-4fe0-baa4-9090e80c711b":"hyper-proun","19860bfc-efb0-456e-ae64-e45ddc0e6e84":"polarized-personas","51fe1eb0-17a5-48cb-83ef-73f5df992e9d":"the-atlas-of-domestic-futures"}}